The life of Sir C. V. Raman had been one of unswerving devotion to the pursuit of knowledge, and of unceasing service to the cause of science and the promotion of research in India. When the end came on November 21, 1970, his mortal remains were consigned to the flames in the campus of the Institute itself, as per his wishes. No plaque or monument marks the spot - just a solitary tree. Next time you go to Bangalore, visit the Institute, stand before the tree and pay homage to this great son of India.
Raman did some outstanding research on vibrations and sound, and on the theory of musical instruments. He studied how musical instruments like the violin and the veena, could produce harmonious music. Raman's studies on the violin were quite extensive and resulted in a remarkable book. Running to 158 pages, it is entitled, On the Mechanical Theory of Vibrations of Musical Instruments of the Violin Family, which is referred to by acousticians even today, 75 years after it was written!
A copy of Raman's monograph on the violin has an inscription by the great violinist, Yehudi Menuhin. It says, "In memory of my visit to the Institute, to an authority on sound, from an ignorant violinist."
Raman had a particular fascination for the mridangam, a South Indian drum, an accompaniment for a Carnatic music recital. He had even worked out the mathematics of its vibrations. One can only marvel at his experimental skill in producing vibration curves of great precision and sharpness much before the condenser microphone was invented. He extended his studies to the 'whispering galleries', where the architectural and acoustic features of several remarkable structures, such as the Gol Gumbaj in Bijapur and the Victoria Memorial in Calcutta, were discussed. Raman became such an authority on the subject of vibrations and the theory of musical instruments, that he was invited to contribute an article to Handbuch der Physik, the German Encyclopaedia of Contemporary Physics.
Raman loved trees, flowers and above all, his rose garden. All the best roses that Bangalore nurseries could supply were bought and planted in his garden. He admired them like a child would admire a new toy.
Colour fascinated Raman to no end, and was the subject of many of his studies. He wa3 particularly fond of the magnificent display of the tail feathers of the peacock. Raman also collected diamonds, which he called the 'Prince of Solids'. He was deeply interested in the physical investigation of the diamond. The need for diamonds, in all sizes, shapes and qualities, became so great that Raman began acquiring them by all possible methods, like purchasing, borrowing from shops and wealthy people. He organised them into a museum and would turn the ultraviolet lights on and off a hundred times, enjoying the sight like a child. Raman was convinced that the intensive study of diamonds could be of importance to physics and chemistry.